The Smurfs have had a profound effect on my life, work and attitude. Over the next few days I will tell all about me stealing endless handfuls of Smurf figures in Canada, my attempts to capture a real Smurf as a kid and my ripping off of them in my professional life as a half-arsed designer.
We went to the Smurf Exhibition in the Comic Museum over in Brussels a couple of weeks ago and it rocked my world.

The comic museum is great but let me emphatically declare that I hate Tin Tin who hogged a fair bit of the attention over there. People always ask me if I liked Tin Tin growing up and I politely say no. I was into OINK. Tin Tin is like James Blunt or the Lighthouse Family while OINK was Minor Threat. No comparison.
The museum exhibition was to celebrate the 50 year anniversary of our witto blue fwends and featured loads of original artwork, details and photos from Peyo the creator’s life and a few lame things thrown together. But it was swell though.
The Smurfs were originally ancillary characters in an otherwise boring Prince-on-a-quest comic series, But the public loved the little blue men so much that they quickly eclipsed the Prince character. Here are some early designs from an animated short Peyo worked on when he was young. Undoubtedly the prototype Smurf

When they first appeared in the comic, they looked like this.

Nearly there but far too elongated. Shorter, stout figures are much more suited to the format Peyo worked in. You lose a little in pose-ability but they’re much easier to ‘read’ when the proportions are shorter and stubby. The Smurfs are a master class in Character Design and should be studied for that alone even if you’re not fond of them.
NEXT: I am Gargamel. I stole my weight in Smurf figures.
PS: No inane comments please about all the Smurfs riding Smurfette etc. We ALL want to bang her so leave it at that.